Skip to main content

New Review Coming Soon!

 The Review for Chairs Missing by Wire will be coming in today.

Comments

Popular posts from this blog

Closing the blog

 This blog has been inactive for a while. The reason why? I went and did a job as an airport janitor, and I didn't have the energy to keep this up. Now I am going to school to be a sound engineer. I may update this infrequently, or this may be the last page. Who is to say?

Tubular!

     Mike Oldfield's Tubular Bells is an album for any Progressive Rock lover. It has a nice neoclassical sound alongside nice intricate guitar work, and good usage of organ and synthesizer. If you like your music short and simple, you may not like Tubular Bells, but I would suggest listening anyway, because it is good to broaden horizons, and challenge the ideas one has regarding music.      The record starts out with some interesting and intricate piano lines. It is later joined by a doubling synthesizer. This helps solidify this melody. I think the repetitiveness of this line helps make a complex piece like this catchy. It boggles the mind that a complex melody could be catchy, or an odd rhythm could be groovy, but progressive rock shows us that this is all possible, just listen to the album.      There is a great moment on this album where synth and (I assume) acoustic guitar come together and then there is a crescendo then electric gu...

Review of Black Market by Weather Report

  Weather Report was a jazz fusion band that started in 1970. The album I am reviewing, Black Market was released in 1976. The album was produced by Joe Zawinul and Wayne Shorter. I think it had something to do with my environment, and the albums I have reviewed before, but this is the first album that actively irritated me. The ballads and the slower moments in general made me want to fall to sleep. Some of the tracks went on too long. This is not to say there is no good music on this album. There is. It simply needed streamlining and a stronger sense of energy behind it. The starting track off of this album is good. There is a generally sunny groove at the beginning of this album. It is lead of by the fretless bass of Jaco Pastorius, the machine-gun delivery of his notes later on in the track are also noteworthy. The warm analog keys and synths of Zawinul are also strong and pleasant in this album overall. Another unique aspect of this track is the odd meter groove that happ...